1945
Volume 2019 Number 1
  • E-ISSN: 22202293

Abstract

Manon Barbeau, it has been said, holds the camera in her heart the way others hold it in their hands. For the last fifteen years, she has invested all her enthusiasm and know-how in Wapikoni, a project that provides young people in indigenous communities with mobile audiovisual production tools. More than a thousand documentaries have been produced as a result, giving visibility to these stigmatized communities. But the achievements of Wapikoni go far beyond the cinema – and beyond Canada.

Related Subject(s): United Nations

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